The Mother by Yvvette Edwards
256 p. (Fiction; Caribbean English)
The unimaginable has happened to Marcia Williams. Her bright and beautiful sixteen-year-old son Ryan has been brutally murdered. Consumed by grief and rage, she must bridle her dark feelings and endure something no mother should ever have to experience: she must go to court for the trial of the killer—another teenage boy—accused of taking her son’s life.
How could her son be dead? Ryan should have been safe—he wasn’t the kind of boy to find himself on the wrong end of a knife carried by a dangerous young man like Tyson Manley. But as the trial proceeds, Marcia finds her beliefs and assumptions challenged as she learns more about Ryan’s death and Tyson’s life, including his dysfunctional family. She also discovers troubling truths about her own. As the strain of Ryan’s death tests their marriage, Lloydie, her husband, pulls further away, hiding behind a wall of secrets that masks his grief, while Marcia draws closer to her sister, who is becoming her prime confidant.
One person seems to hold the answers—and the hope—Marcia needs: Tyson's scared young girlfriend, Sweetie. But as this anguished mother has learned, nothing in life is certain. Not any more.
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Seventeen by Anita Agnihotri
250 p. (Short stories; India)
Seventeen, written by acclaimed Bengali author Anita Agnihotri, brings together the best of more than one hundred pieces of her published short fiction. By turns intense, brittle, angry, sad, and torn apart in conflict, the stories here bring out the different faces of human hardship and explore an India that is still largely unknown. Set in both cities and villages, in small-town India and in international suburbia, the pieces run the gamut of experiences—both everyday and extraordinary. From personal relationships set against a background of turmoil to social truths told through the unique lives of individuals, each of these stories paints a picture of human fragility.
Presented here in English for the first time by award-winning translator Arunava Singh, readers encounter a brother and sister who visit the unique crater-lake that their dead, estranged mother had written to them about in her letters. We find a middle-class employee whose orderly life is turned upside down when his employer holds back his paycheck without an explanation. And we find the employees of a forgotten outpost in a sun-baked town who consider mass suicide when they realize there is no hope of survival. From start to finish, there’s no question here: Seventeen is literary craftsmanship at its best.
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Black Dove: Mamá, Mi'jo, and Me by Ana Castillo
350 p. (Biography; Mexican Indian American)
"Paloma Negra," Ana Castillo's mother sings the day her daughter leaves home, "I don't know if I should curse you or pray for you."
Growing up as the intellectually spirited daughter of a Mexican Indian immigrant family during the 1970s, Castillo defied convention as a writer and a feminist. A generation later, her mother's crooning mariachi lyrics resonate once again. Castillo—now an established Chicana novelist, playwright, and scholar—witnesses her own son's spiraling adulthood and eventual incarceration. Standing in the stifling courtroom, Castillo describes a scene that could be any mother's worst nightmare. But in a country of glaring and stacked statistics, it is a nightmare especially reserved for mothers like her: the inner-city mothers, the single mothers, the mothers of brown sons.
Black Dove: Mamá, Mi'jo, and Me looks at what it means to be a single, brown, feminist parent in a world of mass incarceration, racial profiling, and police brutality. Through startling humor and love, Castillo weaves intergenerational stories traveling from Mexico City to Chicago. And in doing so, she narrates some of America's most heated political debates and urgent social injustices through the oft-neglected lens of motherhood and family.
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Tell the Truth & Shame the Devil: The Life, Legacy, and Love of My Son Michael Brown by Lezley McSpadden
272 p. (Biography; African-American)
When Michael Orlandus Darrion Brown was born, he was adored and doted on by his aunts, uncles, grandparents, his father, and most of all by his sixteen-year-old mother, who nicknamed him Mike Mike. McSpadden never imagined that her son’s name would inspire the resounding chants of protesters in Ferguson, Missouri, and ignite the global conversation about the disparities in the American policing system. In
Tell the Truth & Shame the Devil, McSpadden picks up the pieces of the tragedy that shook her life and the country to their core and reveals the unforgettable story of her life, her son, and their truth.
Tell the Truth & Shame the Devil is a riveting family memoir about the journey of a young woman, triumphing over insurmountable obstacles, and learning to become a good mother. With brutal honesty, McSpadden brings us inside her experiences being raised by a hardworking, single mother; her pregnancy at age fifteen and the painful subsequent decision to drop out of school to support her son; how she survived domestic abuse; and her unwavering commitment to raising four strong and healthy children, even if it meant doing so on her own. McSpadden writes passionately about the hours, days, and months after her son was shot to death by Officer Darren Wilson, recounting her time on the ground with peaceful protestors, how she was treated by police and city officials, and how she felt in the gut-wrenching moment when the grand jury announced it would not indict the man who had killed her son.
After the system failed to deliver justice to Michael Brown, McSpadden and thousands of others across America took it upon themselves to carry on his legacy in the fight against injustice and racism.
Tell the Truth & Shame the Devil is a portrait of our time, an urgent call to action, and a moving testament to the undying bond between mothers and sons.
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The Song Poet: A Memoir of My Father by Kao Kalia Yang
288 p. (Autobiography; Hmong)
In the Hmong tradition, the song poet recounts the story of his people, their history and tragedies, joys and losses; extemporizing or drawing on folk tales, he keeps the past alive, invokes the spirits and the homeland, and records courtships, births, weddings, and wishes.
Following her award-winning book T
he Latehomecomer, Kao Kalia Yang now retells the life of her father Bee Yang, the song poet, a Hmong refugee in Minnesota, driven from the mountains of Laos by American's Secret War. Bee lost his father as a young boy and keenly felt his orphanhood. He would wander from one neighbor to the next, collecting the things they said to each other, whispering the words to himself at night until, one day, a song was born. Bee sings the life of his people through the war-torn jungle and a Thai refugee camp. But the songs fall away in the cold, bitter world of a Minneapolis housing project and on the factory floor until, with the death of Bee's mother, the songs leave him for good. But before they do, Bee, with his poetry, has polished a life of poverty for his children, burnished their grim reality so that they might shine.
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As a mother, it has always been my fear that something would happen to my child and I wouldn't be able to reach her. Now that she's an adult, that fear is even more magnified because she lives 800 miles away. Losing her would be like losing the air I breathe. It's for that reason The Mother hit me like a ton of bricks.
