The Darkest Child by Delores Phillips432 p.; Fiction/African-American
Pakersfield, Georgia, 1958: Thirteen-year-old Tangy Mae Quinn is the sixth of ten fatherless siblings. She is the darkest-skinned among them and therefore the ugliest in her mother, Rozelle’s, estimation, but she’s also the brightest. Rozelle—beautiful, charismatic, and light-skinned—exercises a violent hold over her children. Fearing abandonment, she pulls them from school at the age of twelve and sends them to earn their keep for the household, whether in domestic service, in the fields, or at “the farmhouse” on the edge of town, where Rozelle beds local men for money.
But Tangy Mae has been selected to be part of the first integrated class at a nearby white high school. She has a chance to change her life, but can she break from Rozelle’s grasp without ruinous—even fatal—consequences?
The Wedding Date by Jasmine Guillory320 p.; Fiction/Romance
Agreeing to go to a wedding with a guy she gets stuck with in an elevator is something Alexa Monroe wouldn’t normally do. But there’s something about Drew Nichols that’s too hard to resist.
On the eve of his ex’s wedding festivities, Drew is minus a plus one. Until a power outage strands him with the perfect candidate for a fake girlfriend…
After Alexa and Drew have more fun than they ever thought possible, Drew has to fly back to Los Angeles and his job as a pediatric surgeon, and Alexa heads home to Berkeley, where she’s the mayor’s chief of staff. Too bad they can’t stop thinking about the other…
They’re just two high-powered professionals on a collision course toward the long distance dating disaster of the century—or closing the gap between what they think they need and what they truly want…
This Will Be My Undoing: Living at the Intersection of Black, Female, and Feminist in (White) America by Morgan Jerkins272 p.; Essays
Morgan Jerkins is only in her twenties, but she has already established herself as an insightful, brutally honest writer who isn’t afraid of tackling tough, controversial subjects. In This Will Be My Undoing, she takes on perhaps one of the most provocative contemporary topics: What does it mean to “be”—to live as, to exist as—a black woman today? This is a book about black women, but it’s necessary reading for all Americans.
Doubly disenfranchised by race and gender, often deprived of a place within the mostly white mainstream feminist movement, black women are objectified, silenced, and marginalized with devastating consequences, in ways both obvious and subtle, that are rarely acknowledged in our country’s larger discussion about inequality. In This Will Be My Undoing, Jerkins becomes both narrator and subject to expose the social, cultural, and historical story of black female oppression that influences the black community as well as the white, male-dominated world at large.
Whether she’s writing about Sailor Moon; Rachel Dolezal; the stigma of therapy; her complex relationship with her own physical body; the pain of dating when men say they don’t “see color”; being a black visitor in Russia; the specter of “the fast-tailed girl” and the paradox of black female sexuality; or disabled black women in the context of the “Black Girl Magic” movement, Jerkins is compelling and revelatory.
All the Women in My Family Sing: Women Write the World: Essays on Equality, Justice, and Freedom edited by Deborah Santana 336 p.; Essays
All the Women in My Family Sing is an anthology documenting the experiences of women of color at the dawn of the twenty-first century. It is a vital collection of prose and poetry whose topics range from the pressures of being the vice-president of a Fortune 500 Company, to escaping the killing fields of Cambodia, to the struggles inside immigration, identity, romance, and self-worth. These brief, trenchant essays capture the aspirations and wisdom of women of color as they exercise autonomy, creativity, and dignity and build bridges to heal the brokenness in today’s turbulent world.
Sixty-nine authors — African American, Asian American, Chicana, Native American, Cameroonian, South African, Korean, LGBTQI — lend their voices to broaden cross-cultural understanding and to build bridges to each other’s histories and daily experiences of life. America Ferrera’s essay is from her powerful speech at the Women’s March in Washington D.C.; Natalie Baszile writes about her travels to Louisiana to research Queen Sugar and finding the “painful truths” her father experienced in the “belly of segregation;” Porochista Khakpour tells us what it is like to fly across America under the Muslim travel ban; Lalita Tademy writes about her transition from top executive at Sun Microsystems to NY Times bestselling author.
This anthology is monumental and timely as human rights and justice are being challenged around the world. It is a watershed title, not only written, but produced entirely by women of color, including the publishing, editing, process management, book cover design, and promotions. Our vision is to empower underrepresented voices and to impact the world of publishing in America — particularly important in a time when 80% of people who work in publishing self-identify as white (as found recently in a study by Lee & Low Books, and reported on NPR).
Smoketown: The Untold Story of the Other Great Black Renaissance by Mark Whitaker432 p.; History
Today black Pittsburgh is known as the setting for August Wilson’s famed plays about noble but doomed working-class strivers. But this community once had an impact on American history that rivaled the far larger black worlds of Harlem and Chicago. It published the most widely read black newspaper in the country, urging black voters to switch from the Republican to the Democratic Party and then rallying black support for World War II. It fielded two of the greatest baseball teams of the Negro Leagues and introduced Jackie Robinson to the Brooklyn Dodgers. Pittsburgh was the childhood home of jazz pioneers Billy Strayhorn, Billy Eckstine, Earl Hines, Mary Lou Williams, and Erroll Garner; Hall of Fame slugger Josh Gibson—and August Wilson himself. Some of the most glittering figures of the era were changed forever by the time they spent in the city, from Joe Louis and Satchel Paige to Duke Ellington and Lena Horne.
Mark Whitaker’s Smoketown is a captivating portrait of this unsung community and a vital addition to the story of black America. It depicts how ambitious Southern migrants were drawn to a steel-making city on a strategic river junction; how they were shaped by its schools and a spirit of commerce with roots in the Gilded Age; and how their world was eventually destroyed by industrial decline and urban renewal. Whitaker takes readers on a rousing, revelatory journey—and offers a timely reminder that Black History is not all bleak.
Black Fortunes: The Story of the First Six African Americans Who Escaped Slavery and Became Millionaires by Shomari Wills320 p.; History
While Oprah Winfrey, Jay-Z, Beyoncé, Michael Jordan, and Will Smith are among the estimated 35,000 black millionaires in the nation today, these famous celebrities were not the first blacks to reach the storied one percent. Between the years of 1830 and 1927, as the last generation of blacks born into slavery was reaching maturity, a small group of smart, tenacious, and daring men and women broke new ground to attain the highest levels of financial success.
Black Fortunes is an intriguing look at these remarkable individuals, including Napoleon Bonaparte Drew—author Shomari Wills’ great-great-great-grandfather—the first black man in Powhatan County (contemporary Richmond) to own property in post-Civil War Virginia. His achievements were matched by five other unknown black entrepreneurs including:
- Mary Ellen Pleasant, who used her Gold Rush wealth to further the cause of abolitionist John Brown;
- Robert Reed Church, who became the largest landowner in Tennessee;
- Hannah Elias, the mistress of a New York City millionaire, who used the land her lover gave her to build an empire in Harlem;
- Orphan and self-taught chemist Annie Turnbo-Malone, who developed the first national brand of hair care products;
- Madam C. J Walker, Turnbo-Malone’s employee who would earn the nickname America’s “first female black millionaire;”
- Mississippi school teacher O. W. Gurley, who developed a piece of Tulsa, Oklahoma, into a “town” for wealthy black professionals and craftsmen” that would become known as “the Black Wall Street.”
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