A House Without Windows by Nadia Hashimi432 p. (Fiction; Afghanistan)
For two decades, Zeba was a loving wife, a patient mother, and a peaceful villager. But her quiet life is shattered when her husband, Kamal, is found brutally murdered with a hatchet in the courtyard of their home. Nearly catatonic with shock, Zeba is unable to account for her whereabouts at the time of his death. Her children swear their mother could not have committed such a heinous act. Kamal’s family is sure she did, and demands justice. Barely escaping a vengeful mob, Zeba is arrested and jailed.
Awaiting trial, she meets a group of women whose own misfortunes have led them to these bleak cells: eighteen-year-old Nafisa, imprisoned to protect her from an “honor killing”; twenty-five-year-old Latifa, a teen runaway who stays because it is safe shelter; twenty-year-old Mezghan, pregnant and unmarried, waiting for a court order to force her lover’s hand. Is Zeba a cold-blooded killer, these young women wonder, or has she been imprisoned, like them, for breaking some social rule? For these women, the prison is both a haven and a punishment; removed from the harsh and unforgiving world outside, they form a lively and indelible sisterhood.
Into this closed world comes Yusuf, Zeba’s Afghan-born, American-raised lawyer whose commitment to human rights and desire to help his homeland have brought him back. With the fate this seemingly ordinary housewife in his hands, Yusuf discovers that, like the Afghanistan itself, his client may not be at all what he imagines.
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The Obelisk Gate by N.K. Jemisin448 p. (Fiction; fantasy)
This is the way the world ends, for the last time.
The season of endings grows darker, as civilization fades into the long cold night.
Essun -- once Damaya, once Syenite, now avenger -- has found shelter, but not her daughter. Instead there is Alabaster Tenring, destroyer of the world, with a request. But if Essun does what he asks, it would seal the fate of the Stillness forever.
Far away, her daughter Nassun is growing in power - and her choices will break the world.
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320 p. (Fiction; Spain)
There’s a lot about Joan-Marc that his second wife doesn’t know—and that he now sets out to tell her, come what may. He begins with his disastrous first marriage to an American named Helen, and the vacation they took in a last-ditch attempt to save their relationship. From there Joan-Marc unfurls the story of his life, from early memories of adolescence to a reckoning with mortality in his forties: friendships he abandoned, women he wronged, the wide swathe he cut across polite society in Madrid and Barcelona. Joan-Marc may be the kind of man we love to hate, yet his caustic wit, nostalgia, and self-pity are ultimately as winning as they are devastating.
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Born Bright: A Young Girl's Journey from Nothing to Something in America by C. Nicole Mason256 p. (Non-fiction; biography)
"Standing on the stage, I felt exposed and like an intruder. In these professional settings, my personal experiences with hunger, poverty, and episodic homelessness, often go undetected. I had worked hard to learn the rules and disguise my beginning in life..."
So begins C. Nicole Mason's compelling memoir, which gives us a rare insider's look into the lives of the American poor. Born in the 1970s in Los Angeles, California, Mason was raised by a 16-year-old single mother who dropped out of high school. From wondering where her next meal would come from to learning the deadlines for college entrance exams by eavesdropping on the few white kids in her predominantly Black and Latino high school, Mason describes in vivid detail the chaos, failing systems, isolation, and violence that make the American Dream out of reach for so many.
While showing us her own path out of poverty, Mason examines the conditions that make poverty nearly impossible to escape and exposes the presumption harbored by many—that the poor don't help themselves enough. In truth, the convoluted, bureaucratic lattice of societal rules that govern everything from education to criminal justice is structurally impenetrable by the poor. With first-hand experience learning these rules for herself, Mason illuminates the sheer fortitude that it takes to navigate systems designed only for the success of the few.
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The Rest I Will Kill: William Tillman and the Unforgettable Story of How a Free Black Man Refused to Become a Slave by Brian McGinty240 p. (Non-fiction; history)
Independence Day, 1861. The schooner S. J. Waring sets sail from New York on a routine voyage to South America. Seventeen days later, it limps back into New York’s frenzied harbor with the ship's black steward, William Tillman, at the helm. While the story of that ill-fated voyage is one of the most harrowing tales of captivity and survival on the high seas, it has, almost unbelievably, been lost to history.
Now reclaiming Tillman as the real American hero he was, historian Brian McGinty dramatically returns readers to that riotous, explosive summer of 1861, when the country was tearing apart at the seams and the Union army was in near shambles following a humiliating defeat at the First Battle of Bull Run. Desperate for good news, the North was soon riveted by reports of an incident that occurred a few hundred miles off the coast of New York, where the Waring had been overtaken by a marauding crew of Confederate privateers. While the white sailors became chummy with their Southern captors, free black man William Tillman was perfectly aware of the fate that awaited him in the ruthless, slave-filled ports south of the Mason-Dixon Line. Stealthily biding his time until a moonlit night nine days after the capture, Tillman single-handedly killed three officers of the privateer crew, then took the wheel and pointed it home. Yet, with no experience as a navigator, only one other helper, and a war-torn Atlantic seaboard to contend with, his struggle had just begun.
It took five perilous days at sea—all thrillingly recounted here—before the Waring returned to New York Harbor, where the story of Tillman's shipboard courage became such a tabloid sensation that he was not only put on the bill of Barnum’s American Museum but also proclaimed to be the "first hero" of the Civil War. As McGinty evocatively shows, however, in the horrors of the war then engulfing the nation, memories of his heroism—even of his identity—were all but lost to history.
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