In this third installation, Ritz has bounced back from a failed hit on her life and the death of her baby daughter. She's back with a vengeance and ready to take on television (sound familiar?). With the help of her trusty producer, Chas, Ritz strikes out for Hollywood, only to find that while she may be the Queen of All Media in New York, people in Hollywood haven't a clue as to who she is. Chas has set up a meeting with Rutger, his bisexual lover who is also the head of the Big Four networks. In other words, he's the person that can green light projects. Rutger is turned off by Ritz's attitude and sends her to a colleague of his that specializes in "diversity" projects.
What ensues is an unbelievable interaction with the diversity czar, his mammy-like housekeeper, a cotton field in his backyard, and a shrine to all things portraying black women in a degrading light. Ritz emerges from her "session" with him armed with a contract and the rest is history.
Did I say it was unbelievable? It's unbelievable. I can go for some far fetched writing here and there, but this was absolutely ridiculous. I know, I know. Wendy never claimed writing was her thing. She should stick to what she does best, giving us good gossip.
No comments :
Post a Comment